Genres
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Nothingheads ‘The Art Of Sod’ LP review
Nothingheads debut album punches it’s way out of your speakers from the beginning of ‘Private Pyle’ and doesn’t let up…
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Black Doldrums – ‘In Limerence’
Black Doldrums have been growing in stature over the last few years with their live shows sounding bigger and more…
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Upupayáma – Mount Elephant
The ‘Mount Elephant’ journey flutters into being with ‘Moon Needs The Wolf’; acoustic guitar, flute and voice immediately transporting you…
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Bang!…The Gluts are back…
Bang!, very aptly titled, is a total attack on the senses, an immense sound, ragged and desperate. It explodes from…
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The Third Sound ‘Most Perfect Solitude’
Hakon Adalsteinsson has been pursuing his musical vision over a number of years via a number of different bands and…
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Juju – Apocalypse Is God’s Spoiler
Juju are back! Not only back with a new album, the first since 2021s ‘La Que Sabe’ , but it…
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There is beauty in decline…Golden Hours s/t album
Golden Hours are heading out for a handful of live dates later this month coinciding with the second pressing of…
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‘Good Time’ with Daiistar
Fuzz Club records have diversified in recent years, building on their position as the main purveyors of dark psych/post punk…
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Frankie and the Witch Fingers: ‘Data Doom’
Something is heading our way and it’s coming in fast, hard and slightly insane….’Data Doom’ by Frankie And The Witch…
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Take a hit from ‘Nostalgia’s Glass’…
The Underground Youth have never done superficial and that hasn’t changed with latest release ‘Nostalgia’s Glass’, as always on the…
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Night Beats ‘Rajan’
Danny Lee Blackwell is on righteous fire right now; hot on the heels of his Abraxas album ‘Monte Carlo’ and…
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Black Doldrums – Dead Awake album review
I’ve been keenly following the progress of Black Doldrums since first seeing them way down the bill at a psych…
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